
The orchestral introduction to the duet “Dell’invito trascorsa è già l’ora” from I Act and the cabaletta “Oh mio rimorso! Oh infamia”, still from the II Act, connected by a further small cadence to the final tail virtuosistica, complete the Pout-Pourri. The work of revising the clarinetist part was mainly based on the contribution of articulations and dynamics in order to make the execution as close and possible to the original bel canto tradition, suggesting, at the same time, a differentiated and variegated interpretation deriving from the structure of the piece, based on rather repetitive thematic phrases, especially in the brilliant finale. The guide of the main instrument to the piano part (originally devoid) has also been inserted, thus making the reading and the overall execution more effective. Finally, some incorrect notes were corrected and a fingering of the left hand of the piano accompaniment was more appropriate for a correct articulation of some difficult octaves.
Editions: Accademia Italiana del Clarinetto
Valeria SERANGELI and Giordano MUOLO
Valeria SERANGELI E-flat Clarinet – Vincenzo TARAMELLI Piano
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